Viewing Room #1. Human/Nature
Faig Ahmed, Paula Cortazar, Maria Elisabetta Novello
6 - 30 ottobre 2020
Viewing Room #1. Human/Nature
Faig Ahmed, Paula Cortazar, Maria Elisabetta Novello
6 - 30 ottobre 2020
Viewing Room #1. Human/Nature
Faig Ahmed, Paula Cortazar, Maria Elisabetta Novello
6 - 30 ottobre 2020
PARALLELS AND PERIPHERIES: Fractals and Fragments
Kenturah Davis, Kim Dacres, Basil Kincaid, Nate Lewis, David Shrobe, Kennedy Yanko
a cura di Larry Ossei-Mensah
11 novembre 2020 - 30 gennaio 2021
 Kim DacresAmanda, 2019, auto tires, bicycle tires, bike tubes, wood, bicycle parts, zip ties, screws, gears, matte black spray paint, 102x41x41 cm |  Kim DacresJanet, 2017, auto tires, bicycle tires, wood, L-brackets, hose clamps, zip ties, screws, 86x33x33 cm |  Kim DacresDavid, 2017, car tire, bicycle tubes, bicycle tire, screws, wood, bike pedal, MDF, black spray enamel, 74x33x33 cm |
|---|---|---|
 Kim DacresJimmy, 2008/2017, tires, screws, paint, 61x30x28 cm |  Kim DacresMonk, 2008-2017, auto tire, screws, MDF, black spray enamel, 36x30x30 cm |  Kim DacresSquirt, 2008-2017, auto tire, screws, black spray enamel, 20x15x20 cm |
 Kim DacresZeus, 201, motorcyle tires, auto rubber, screws, spray paint, 38x20x25 cm |  Kenturah DavisThe Bodily Effect of a Color (Katie), 2020, oil paint applied with rubber stamp letters, color monoprint and chine-collie on paper, 74 x 56 cm |  Kenturah DavisThe Bodily Effect of a Color (Lola), 2020, oil paint applied with rubber stamp letters, color monoprint and chine-collie on paper, 74x56 cm |
 Kenturah DavisThe Bodily Effect of a Color (Amani), 2020, oil paint applied with rubber stamp letters, color monoprint and chine-collie on paper, 74x56 cm |  Basil KincaidToward the End of Self Betrayal, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm |  Basil KincaidI Danced Deep Into Myself and Found a Place That Feels Like Home, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm |
 Basil KincaidOur Gardens Growing Into Each Other, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm |  Basil KincaidI Am My Ancestors. No Energy Created or Lost, 2019 Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm |  Basil KincaidI Am Who I Am, doing what I came to do, acting upon you like a drug or a chisel to remind you of your me-ness, as I discover you in myself. -Audre Lorde, ‘Eye to Eye’ p.147, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm |
 Nate LewisSignalling 31, 2020, hand sculpted ink-jet print, ink, frottage, graphite 135x79 cm |  Nate LewisSignalling 32, 2020, hand sculpted ink-jet print, ink, frottage, graphite 170x86,5 cm |  Nate LewisSignalling 33, 2020, hand sculpted ink-jet print, ink, frottage, graphite 76x58,5 cm |
 Nate LewisSignalling 34, 2020, hand sculpted ink-jet print, ink, frottage, graphite, 35,5x63,5 cm |  Nate LewisSignalling 35, 2020 hand sculpted ink-jet print, ink, frottage, graphite, 81x61 cm |  Davide Shrobeamoor, 2020, oil, acrylic, ink, flocking on canvas behind glass and wood, 89x71x5 cm |
 Davide ShrobeDoubling, 2020, acrylic, ink, flocking and paper on canvas behind glass in wood artist frame 109x99x9 cm |  Davide ShrobeMoment to See-Bloom, 2020, oil, acrylic, ink and colored pencil on paper in found frame behind glass, 58,5x48x5 cm |  Davide ShrobeTo Grasp Firm, 2020, oil, acrylic, ink, charcoal and paper on canvas in found frame behind glass 56x45,5x6,5 cm |
 Kennedy YankoJewel, 2020, paint skin, metal, 195,5x73,5x81 cm |  Kennedy YankoAll in a row, 2019, metal, paint skin, 152,5x122x35,5 cm |  Kennedy YankoTwo Toned IV, 2019 paint skin, metal, 40x58,5x38 cm |
 Kennedy YankoCrater, 2018, metal, paint skin, marble 30,5x58,5x40,5 cm |