PARALLELS AND PERIPHERIES: Fractals and Fragments

Kenturah Davis, Kim Dacres, Basil Kincaid, Nate Lewis, David Shrobe, Kennedy Yanko

a cura di Larry Ossei-Mensah

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11 novembre 2020 - 30 gennaio 2021 

 

Kim Dacres

Kim Dacres

Amanda, 2019, auto tires, bicycle tires, bike tubes, wood, bicycle parts, zip ties, screws, gears, matte black spray paint, 102x41x41 cm

Kim Dacres

Kim Dacres

Janet, 2017, auto tires, bicycle tires, wood, L-brackets, hose clamps, zip ties, screws, 86x33x33 cm

Kim Dacres

Kim Dacres

David, 2017, car tire, bicycle tubes, bicycle tire, screws, wood, bike pedal, MDF, black spray enamel, 74x33x33 cm

Kim Dacres

Kim Dacres

Jimmy, 2008/2017, tires, screws, paint, 61x30x28 cm

Kim Dacres

Kim Dacres

Monk, 2008-2017, auto tire, screws, MDF, black spray enamel, 36x30x30 cm

Kim Dacres

Kim Dacres

Squirt, 2008-2017, auto tire, screws, black spray enamel, 20x15x20 cm

Kim Dacres

Kim Dacres

Zeus, 201, motorcyle tires, auto rubber, screws, spray paint, 38x20x25 cm

Kenturah Davis

Kenturah Davis

The Bodily Effect of a Color (Katie), 2020, oil paint applied with rubber stamp letters, color monoprint and chine-collie on paper, 74 x 56 cm

Kenturah Davis

Kenturah Davis

The Bodily Effect of a Color (Lola), 2020, oil paint applied with rubber stamp letters, color monoprint and chine-collie on paper, 74x56 cm

Kenturah Davis

Kenturah Davis

The Bodily Effect of a Color (Amani), 2020, oil paint applied with rubber stamp letters, color monoprint and chine-collie on paper, 74x56 cm

Basil Kincaid

Basil Kincaid

Toward the End of Self Betrayal, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm

Basil Kincaid

Basil Kincaid

I Danced Deep Into Myself and Found a Place That Feels Like Home, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm

Basil Kincaid

Basil Kincaid

Our Gardens Growing Into Each Other, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm

Basil Kincaid

Basil Kincaid

I Am My Ancestors. No Energy Created or Lost, 2019 Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm

Basil Kincaid

Basil Kincaid

I Am Who I Am, doing what I came to do, acting upon you like a drug or a chisel to remind you of your me-ness, as I discover you in myself. -Audre Lorde, ‘Eye to Eye’ p.147, 2019, Framed Archival Aluminum Emulsion Print (Edition of 1), 76x114x5 cm

Nate Lewis

Nate Lewis

Signalling 31, 2020, hand sculpted ink-jet print, ink, frottage, graphite 135x79 cm

Nate Lewis

Nate Lewis

Signalling 32, 2020, hand sculpted ink-jet print, ink, frottage, graphite 170x86,5 cm

Nate Lewis

Nate Lewis

Signalling 33, 2020, hand sculpted ink-jet print, ink, frottage, graphite 76x58,5 cm

Nate Lewis

Nate Lewis

Signalling 34, 2020, hand sculpted ink-jet print, ink, frottage, graphite, 35,5x63,5 cm

Nate Lewis

Nate Lewis

Signalling 35, 2020 hand sculpted ink-jet print, ink, frottage, graphite, 81x61 cm

Davide Shrobe

Davide Shrobe

amoor, 2020, oil, acrylic, ink, flocking on canvas behind glass and wood, 89x71x5 cm

Davide Shrobe

Davide Shrobe

Doubling, 2020, acrylic, ink, flocking and paper on canvas behind glass in wood artist frame 109x99x9 cm

Davide Shrobe

Davide Shrobe

Moment to See-Bloom, 2020, oil, acrylic, ink and colored pencil on paper in found frame behind glass, 58,5x48x5 cm

Davide Shrobe

Davide Shrobe

To Grasp Firm, 2020, oil, acrylic, ink, charcoal and paper on canvas in found frame behind glass 56x45,5x6,5 cm

Kennedy Yanko

Kennedy Yanko

Jewel, 2020, paint skin, metal, 195,5x73,5x81 cm

Kennedy Yanko

Kennedy Yanko

All in a row, 2019, metal, paint skin, 152,5x122x35,5 cm

Kennedy Yanko

Kennedy Yanko

Two Toned IV, 2019 paint skin, metal, 40x58,5x38 cm

Kennedy Yanko

Kennedy Yanko

Crater, 2018, metal, paint skin, marble 30,5x58,5x40,5 cm